She is followed by a baby elephant and two wildebeest.
Raucous applause usually greets the largest puppet in the show, an adult female elephant puppeteered by four actors – one in each leg. Through the aisles in the audience more animals arrive, with a rhinoceros and multiple white birds. They are followed by an actor puppeting multiple flying birds and another three actors puppeting three zebras. The first animal puppets then arrive on the stage – two giraffes and a cheetah. She engages in call and response with an antelope. It features multiple angles from across the stage.Īs the sun rises, Rafiki calls out to the animals of the Pride Lands to come to the presentation of Simba. The result led to a new take on the already-iconic scene, one that earned actress Tsidii Le Loka a Tony nomination.Ī 360-degree filmed version of the scene from the Broadway production can be seen here. In addition to the new stylistic approach, Taymor also wanted to “emphasize the women in the narrative,” which she was able to do by making Rafiki female. The musical immediately introduces the viewer to Julie Taymor’s unique designs, featuring tribal themes and elaborate puppetry.
Circles feature throughout the musical, starting with the circular sun that rises at the beginning.
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Native American culture represents this relationship in the symbolic “medicine wheel.” This universal philosophy is presented by Elton John and Tim Rice in the animated movie and the musical. Genesis 3:19 states “dust thou art, and unto dust shalt thou return.” The Perek Shirah text discusses the dignity of death and how our bodies provide life. The idea of a “circle of life” has prevailed in almost every culture and religion.
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